• Crumpler. Photographed by Tom Blachford
    Crumpler. Photographed by Tom Blachford
  • Crumpler. Photographed by Tom Blachford
    Crumpler. Photographed by Tom Blachford
  • Crumpler. Photographed by Tom Blachford
    Crumpler. Photographed by Tom Blachford
  • Haulier. Photographed by Ben Murphy
    Haulier. Photographed by Ben Murphy
  • Haulier. Photographed by Ben Murphy
    Haulier. Photographed by Ben Murphy
  • Haulier. Photographed by Ben Murphy
    Haulier. Photographed by Ben Murphy
  • Melanie Katsalidis. Photographed by Jack Lovel
    Melanie Katsalidis. Photographed by Jack Lovel
  • Melanie Katsalidis. Photographed by Jack Lovel
    Melanie Katsalidis. Photographed by Jack Lovel
  • Melanie Katsalidis. Photographed by Jack Lovel
    Melanie Katsalidis. Photographed by Jack Lovel
  • Stable. Photographed by Traianos Pakioufakis
    Stable. Photographed by Traianos Pakioufakis
  • Stable. Photographed by Traianos Pakioufakis
    Stable. Photographed by Traianos Pakioufakis
  • Stable. Photographed by Traianos Pakioufakis
    Stable. Photographed by Traianos Pakioufakis
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Crumpler is among a lineup of fashion finalists in the Dulux Colour Awards 2023.

Sydney-born bag brand Haulier, Melbourne jeweller Melanie Katsalidis and Melbourne fashion stockist Stable are also in the running for awards. 

The four retailers joined a total list of 113 finalists for the Dulux Colour Awards.

The 37th instalment includes seven categories: Commercial Interior – Public and Hospitality; Commercial Interior – Workplace and Retail; Commercial and Multi-Residential Exterior; Residential Interior; Single Residential Exterior; and, Student work for both Australia and New Zealand, culminating in the ANZ Grand Prix awards.

Crumpler’s retail interior was designed by Melbourne-based firm WOWOWA Architecture, Haulier by Sibling Architecture, Melanie Katsalidis by Foolscap Studio and Stable by Sydney-based firm Studio Manifold.

Dulux colour and communications manager Andrea Lucena-Orr said there has been a recent shift in retail design.

"It is safe to say, based on the extent of this year’s entries, that the days of ‘safe’ and predictable palettes in this sector are changing. There is a notable playfulness and vibrancy demonstrated in all typologies, from education and office fit-outs to health, retail and hospitality, with the use of murals, block colour and feature signage more prevalent than ever.”

“As far as emerging trends, the use of colour-blocking and graphic devices in bold hues on neutral bases is notable throughout, with some stand-out examples catching our eye early. Earthy tones are always strong – this year, particularly, warm whites and neutrals, muted pastels and subtle greens are permeating many residential projects.

“We have also noticed a shift toward the consideration of painted architectural details, such as skirtings, window frames and doors, which inevitably adds a level of refinement to any project. Overall, this year’s finalists embody a renewed vigour and energy, suggesting that designers’ and architects’ confidence in using colour is enabling them a greater degree of freedom and experimentation.”

The judging panel this year comprises B.E Architecture director Andrew Piva; interdisciplinary designer Brahman Perera; Snøhetta senior interior designer Lisa Lee; CTRL Space project director Sarah Carney; and Russell & George director Byron George. They will select the winners, which will be announced on Thursday, May 11.

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